{"id":863,"date":"2024-06-10T23:14:56","date_gmt":"2024-06-10T14:14:56","guid":{"rendered":"https:\/\/kentarosuzuki.com\/fr\/?p=863"},"modified":"2024-06-11T16:54:50","modified_gmt":"2024-06-11T07:54:50","slug":"dynamisme-vers-labysse-concert-de-post-jazz","status":"publish","type":"post","link":"http:\/\/kentarosuzuki.com\/fr\/?p=863","title":{"rendered":"Dynamisme vers l&rsquo;abysse \/ Concert de \u201cPost-Jazz\u201d"},"content":{"rendered":"<h1><strong><span style=\"color: #ff0000;\">Dynamisme vers l&rsquo;Abysse<\/span> <\/strong><\/h1>\n<h4><span style=\"color: #000000;\">Concert de \u201cPost-Jazz\u201d<\/span><\/h4>\n<p><a style=\"color: #303030; outline: 0px;\" href=\"http:\/\/kentarosuzuki.com\/fr\/wp-content\/uploads\/2024\/06\/d67b819c7259fb8c455636906780eb48.png\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-864 alignleft\" src=\"http:\/\/kentarosuzuki.com\/fr\/wp-content\/uploads\/2024\/06\/d67b819c7259fb8c455636906780eb48-300x150.png\" alt=\"\" width=\"538\" height=\"269\" srcset=\"http:\/\/kentarosuzuki.com\/fr\/wp-content\/uploads\/2024\/06\/d67b819c7259fb8c455636906780eb48-300x150.png 300w, http:\/\/kentarosuzuki.com\/fr\/wp-content\/uploads\/2024\/06\/d67b819c7259fb8c455636906780eb48-1024x512.png 1024w, http:\/\/kentarosuzuki.com\/fr\/wp-content\/uploads\/2024\/06\/d67b819c7259fb8c455636906780eb48-768x384.png 768w, http:\/\/kentarosuzuki.com\/fr\/wp-content\/uploads\/2024\/06\/d67b819c7259fb8c455636906780eb48-1536x768.png 1536w, http:\/\/kentarosuzuki.com\/fr\/wp-content\/uploads\/2024\/06\/d67b819c7259fb8c455636906780eb48-2048x1024.png 2048w\" sizes=\"auto, (max-width: 538px) 100vw, 538px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>La cr\u00e9ation de musique tout seul et la pr\u00e9sentation sans m\u00eame rencontrer les auditeurs&#8230; C&rsquo;est possible aujourd&rsquo;hui et cela constitue d\u00e9j\u00e0 une forme de culture.<br \/>\nEn fait, j&rsquo;adopte souvent cette m\u00e9thode, mais j&rsquo;ai soudainement commenc\u00e9 \u00e0 ressentir le d\u00e9sir de cr\u00e9er de la musique en me focalisant sur le fait que \u00ab\u00a0les interpr\u00e8tes et le public sont l\u00e0&#8230;\u201d<br \/>\nC&rsquo;est ainsi que l&rsquo;id\u00e9e centrale pour ce concert.<\/p>\n<p>Je pense que cette approche peut \u00eatre consid\u00e9r\u00e9e comme l&rsquo;origine de la musique, mais qu&rsquo;est-ce qui ne se trouve que l\u00e0 ?<br \/>\nPeut-\u00eatre est-ce la texture du dynamisme de la musique et de l&rsquo;ambiance.<\/p>\n<p>Cette fois-ci, je recherche ce dynamisme \u00e0 travers le rythme ainsi que la communication et l&rsquo;interaction.<br \/>\nCependant, Il s&rsquo;agit plut\u00f4t d&rsquo;un dynamisme dense qui nous am\u00e8ne vers l\u2019abysse.<\/p>\n<p>Je serais heureux de pouvoir partager avec vous, mes camarades musiciens, ce dynamisme qui n&rsquo;existe que l\u00e0.<\/p>\n<div class=\"x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s\">&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;<\/div>\n<div class=\"x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s\">Les musiciens<br class=\"html-br\" \/>Satoru KITA : Saxophones<br class=\"html-br\" \/>Brenda OHANA : MIDI Vibraphone<br class=\"html-br\" \/>Kozo KOMORI : Drums<br class=\"html-br\" \/>Kentaro SUZUKI : Contrebasse Electro-Acoustique fait-maison, Composition<\/div>\n<div class=\"x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s\">&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;<\/div>\n<div class=\"x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s\">Tarifs :<br class=\"html-br\" \/>18 \u20ac,<br class=\"html-br\" \/>15 \u20ac (demandeurs d&#8217;emplois, \u00e9tudiantes, +65 ans),<br class=\"html-br\" \/>9\u20ac (Adh\u00e9rent)<\/div>\n<div class=\"x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s\"><\/div>\n<div class=\"x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s\"><\/div>\n<div class=\"x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s\">Espace Culturel Bertin Poir\u00e9e<br class=\"html-br\" \/>Adresse : 8-12 Rue Bertin Poir\u00e9e, 75001 Paris<br class=\"html-br\" \/>T\u00e9l : 01 44 76 06 06<br class=\"html-br\" \/>Contact :\u00a0<a class=\"x1i10hfl xjbqb8w x1ejq31n xd10rxx x1sy0etr x17r0tee x972fbf xcfux6l x1qhh985 xm0m39n x9f619 x1ypdohk xt0psk2 xe8uvvx xdj266r x11i5rnm xat24cr x1mh8g0r xexx8yu x4uap5 x18d9i69 xkhd6sd x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz x1sur9pj xkrqix3 x1fey0fg\" tabindex=\"0\" role=\"link\" href=\"https:\/\/www.tenri-paris.com\/contact\/?fbclid=IwZXh0bgNhZW0CMTAAAR3c0Th6rVRhtuHmlbjsIf0tWJ6qNBs0myKXZIlJnuv_-1odII9B-m2BF9g_aem_AS9lINMDWx0WT4xg2XhYrDXBTj_T9DYqSh9GHVe2aLwXxbtf3EDF8BQkmuR4dx1mLnpC7mNajM4bt2pSKsSipVsd\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">https:\/\/www.tenri-paris.com\/contact\/<\/a><\/div>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/31hZ_6bV-ls?si=3ZaSNE4vsYCTxuCK\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<div dir=\"auto\">Cette vid\u00e9o est un extrait de la premi\u00e8re session pour ce concert.<\/div>\n<div dir=\"auto\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Dynamisme vers l&rsquo;Abysse Concert de \u201cPost-Jazz\u201d &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; La cr\u00e9ation de musique tout seul et la pr\u00e9sentation sans m\u00eame rencontrer les auditeurs&#8230; C&rsquo;est possible aujourd&rsquo;hui et cela constitue d\u00e9j\u00e0 une forme de culture. En fait, j&rsquo;adopte souvent cette m\u00e9thode, mais j&rsquo;ai soudainement commenc\u00e9 \u00e0 ressentir le d\u00e9sir de cr\u00e9er de la musique en me focalisant sur le fait que \u00ab\u00a0les interpr\u00e8tes et le public sont l\u00e0&#8230;\u201d C&rsquo;est ainsi que l&rsquo;id\u00e9e centrale pour ce concert. Je pense que cette approche peut \u00eatre consid\u00e9r\u00e9e comme l&rsquo;origine de la musique, mais qu&rsquo;est-ce qui ne se trouve que l\u00e0 ? Peut-\u00eatre est-ce la texture du dynamisme de la musique et<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,5],"tags":[],"class_list":["post-863","post","type-post","status-publish","format-standard","hentry","category-information","category-mon-projet"],"aioseo_notices":[],"_links":{"self":[{"href":"http:\/\/kentarosuzuki.com\/fr\/index.php?rest_route=\/wp\/v2\/posts\/863","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/kentarosuzuki.com\/fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/kentarosuzuki.com\/fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/kentarosuzuki.com\/fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/kentarosuzuki.com\/fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=863"}],"version-history":[{"count":9,"href":"http:\/\/kentarosuzuki.com\/fr\/index.php?rest_route=\/wp\/v2\/posts\/863\/revisions"}],"predecessor-version":[{"id":871,"href":"http:\/\/kentarosuzuki.com\/fr\/index.php?rest_route=\/wp\/v2\/posts\/863\/revisions\/871"}],"wp:attachment":[{"href":"http:\/\/kentarosuzuki.com\/fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=863"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/kentarosuzuki.com\/fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=863"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/kentarosuzuki.com\/fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=863"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}